Both of us wrote it, but mainly Paul. I helped him finish it.
'I Wanna Be Your Man’ was a kind of lick Paul had– 'I wanna be your lover, baby. I wanna be your man.’ I think we finished it off for the Stones. We were taken down to meet them at the club where they were playing in Richmond by Brian and some other guy. They wanted a song and we went to see what kind of stuff they did. Mick and Keith heard we had an unfinished song– Paul just had this bit and we needed another verse or something. We sort of played it roughly to them and they said, 'Yeah, OK, that’s our style.’ But it was only really a lick, so Paul and I went off in the corner of the room and finished the song off while they were all still sitting there talking. We came back, and that’s how Mick and Keith got inspired to write… because, 'Jesus, look at that. They just went in the corner and wrote it and came back!’ You know, right in front of their eyes we did it. So we gave it to them. It was a throw-away. The only two versions of the song were Ringo and the Rolling Stones. It shows how much importance we put on them. We weren’t going to give them anything great, right? I believe it was the Stones’ first record.
「彼氏になりたい」はポールが構想を持ってたんだ’I wanna be your lover, baby. I wanna be your man’ってね。たしか僕らはストーンズのためにこれを仕上げたんだと思う。彼らが演奏してたリッチモンドのクラブでブライアンとあと誰か他の奴と一緒に彼らに会った。彼らが曲を欲しがってるって聞いて、僕らは彼らがどんな感じの演奏するのかを見に行った。僕らが未完成な曲を持ってるってのをミックとキースが知って…ポールが考えてたこのフレーズだね。これにバースとか、あとちょっとしたものを足して彼らに聞かせたんだ。そしたら「うん、これはまさに俺たちのスタイルだ」って。でもその時はまだただの断片だったからポールと僕は部屋の隅に行って彼らがお喋りしてる間に曲を仕上げて戻ってきた。ミックとキースは驚いてたよ。「なんてこった！部屋の隅に行ったと思ったら曲を仕上げて戻ってきた！」まぁ一部始終が彼らの目の前でやったことだったからね。で、僕らはその曲を彼らにあげた。放り投げた、って感じかな。この曲にはリンゴのバージョンとストーンズのバージョンがあるけど、そのことが僕らのこの曲に対する真剣さの指標さ。僕らがいいと思った曲を彼らにあげると思うかい？たしかこれはストーンズの最初のレコードになったはずだ。
I wrote it for Ringo to do on one of the early albums. But we ended up giving it to the Stones. We met Mick and Keith in a taxi one day in Charing Cross Road and Mick said, 'Have you got any songs?’ So we said, 'Well, we just happen to have one with us!’ I think George had been instrumental in getting them their first record contract. We suggested them to Decca, 'cuz Decca had blown it by refusing us, so they had tried to save face by asking George, 'Know any other groups?’ He said, 'Well, there is this group called the Stones.’ So that’s how they got their first contract. Anyway, John and I gave them maybe not their first record, but I think the first they got on the charts with. They don’t tell anybody about it these days; they prefer to be more ethnic. But you and I know the real truth.